Metallica Is a Bunch of Party Poopers

I discovered Metallica during my middle school years when “And Justice for All…” came out. Their sounds came to me courtesy of a dubbed cassette, and yes, I bought the real deal shortly afterwards in order to have a better recording. They were my introduction to speed metal, and I began a torrid affair with the genre. Their sound was a perfect soundtrack to the angry teenage years and led me into other underground genres such as punk. As with the other Metallica fans at the time, I was extremely excited when their black album came out. I ran down to Saraland’s first and only movie/music/book store (for real, they had one in Saraland and a quite impressive one at that) and picked up my first taste in the form of a cassette single of “Enter Sandman” (”Stone Cold Crazy” on the B-side). Excitement grew as I heard the first hiss of the track beginning, and what came next was one of the biggest disappointments of my life. Metallica had sold-out and sold-out hard with a new less than intense mainstream metal that was actually radio friendly. In my mind and the minds of others, Metallica wasn’t supposed to be friendly in any way.

When they pulled through Mobile later, the situation became worse. One of the snottiest cheerleaders at my high school school prissed through the halls, “Like, omigod! I’ve got like front row tickets to Metallica! I’m gonna dress up like such a metalhead and headbang!” On the night of the concert, we caught her on the jumbotron front and center singing “Seek and Destroy” with frontman James Hetfield only because he prompted her with the words. This was quite a slap in the face for me and my companions, and we hung up our Pushead shirts for good. It took many of their fans a little while to come to the realization that Metallica had followed in the footsteps of bands such as Aerosmith and decided to go soft, but a good chunk of them entered a state of permanent denial that their beloved band hadn’t gone soft. I have nothing against this breed of Metallica fan, and about 99% would agree with me. Metallica had betrayed all that anger that they I had previously relished.

Fast forward a couple of years to the days when Lollapalooza was a festival that actually toured. It was a new age Woodstock engulfed in art, politics, and alternative bands back when alternative ruled the radio. I was fortunate enough to make it for Lollapalooza 94 when the Beastie Boys and Smashing Pumpkins headlined with bands like L7 and The Breeders providing support. 95 kept with tradition with Sonic Youth, Beck, and The Jesus Lizard on the line-up. However, Lollapalooza 96 marked the beginning of the end of the festival. Palooza had built a reputation of featuring the most premiere alternative, eclectic, underground acts on the scene. I won’t go into all the line-ups, but they could be considered a who’s who of the bands that made the 90s wonderful. When 96 came along, there were still a few big names like Rage Against the Machine, The Ramones, and The Violent Femmes, but it was a definite “One of these things is not like the other” situation with Metallica as the muy grande , be-all end-all headliner. After 97, Lollapalooza went into a six-year hiatus, and it hasn’t really been the same since.

Next, there was the whole Napster thing. Sure, music piracy is highly illegal, but why did Metallica have to get so involved and die hard about this? This was a band that established this rebellious outlaw image for themselves, and here they were suing (which is such a shitty move) a bunch of rebellious outlaws. My mind always goes back to the South Park that covered this. I still picture drummer Lars Ulrich weeping bitterly because he will have to wait a few more weeks for his gold-plated shark tank bar because someone downloaded their music. Were they really hurting that bad financially at a time when they hadn’t even put out anything? Hell, the spark for this legal fire was over a song found on the Mission: Impossible II Soundtrack, and we know what fine cinema this was. Were they trying to recuperate finances lost on that piece of work? Either way, they should have said their piece and let Dr. Dre take care of spearheading the whole Napster lawsuit. It is the rap industry that is suffering so much from music piracy that their sales have dropped completely, and many of the labels are having to go back to the drawing board.

Now, it’s Bonnaroo 2008, and Metallica is once again the be-all, end-all, muy grande headliner of an iconic music festivals. Bonnaroo received some criticism last year for steering away from the jam scene that had built this festival, but the rock acts like the White Stripes, Wolfmother, and even TOOL were eclectic on a certain level. Putting Metallica on the bill is really saying something to the Roo Crew. I can already make an extremely educated guess and predict that the Roo Society will be different. With the exception of one, I have gone to Bonnaroo with the same rag tag team of rock and roll gypsies. Last year, our running joke was that 2007 was the year that the shit would hit the fan. By that, we were meaning another Altamont or Woodstock 99. We expected the whole festival to plunge into a apocalyptic/Mad Max Beyond Thunderdome at any second, and we had already taken a group vote to trade off one of our own (Abner, our Roo Sherpa) as a sex slave for any weapons we could get for him. We then began a debate as to what band’s fans could make this event happen. It was a unanimous decision: Metallica. So, is Superfly Entertainment trying to wrap up Roo, or are they wanting to change the social thermostat to an unsafe level? I’m really anxious to see what’s going to happen with this, and I’m also curious to see if my theory that Metallica is a music industry coffin nail. And yes, I am planning on making another trek to Roo and blogging the phenomenon. I picture myself being some kind of broke-ass Dan Rather wading through the violent masses. Actually when I think about it, it will probably be more like Wayne Gale from “Natural Born Killers.”

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7 Responses to “Metallica Is a Bunch of Party Poopers”

  1. Preston Brady Says:

    Nice piece on Metallica. I do think I understand now why these out of the gate angry bands later turn on us, leaving hammers and nails in their wake, bubblegum wrappers on their horizon. The anger dissipates over time, and that, we might find is a good thing since it proves metal really is a true art form, a catharsis against the pain of living.

    It also makes me wonder just how much angrier can Deicide get over the fact God makes us all die and go to heaven?

    Metallica it seems did pay their dues in the early years and can hardly be denied their permanent place on the stage of metal, but almost unforgivable is them stealing away the innocence of our country’s cheerleaders and valley gals, tossing them not into the dens of lions but into mosh pits of teen-aged boy sweat. Hopefully once McCain is installed into office he will set forth policies against such monstrosity and ban Metallica and Finger Eleven from USA stages for life {^}

  2. Dave Says:

    You think Metallica let you down? Try being a fan from the Kill Em All and Ride the Lightning days. Most of the early thrash bands either broke up or went in a more varied direction during the 90s. Look at Exodus, Force of Habit and Impact is Imminent are a world away from Bonded By Blood. Luckily(maybe not for them), Exodus didn’t get rich and are back putting out crushing music. Same with Destruction, Kreator (who never went away but had some subpar 90s albums), Overkill (see Kreator), and others.

    I wouldn’t be surprised if your prediction of Metallica being the death of Bonaroo comes true.

  3. LA Waterrs Says:

    They lost their anger when they were able to buy big fat houses in the burbs! Wouldn’t you??

    On the Roo front, maybe organizers are secretly hoping the mighty met will organicize their instruments for a few moments and invite the regulars to jam on stage. Or maybe a surprise jam with Rodrigo y Gabriella (they do Metallica tunes amazingly well). One can dream right?

    From what I hear, no need to worry about major fisticuffs breaking out. Remember the helicopter circling certain stages, even diving in for a closer look? Word has it that’s one of the original Superfly Guys who has a real keen eye and a radio… he sees so much as a friendly shove, he’s calling security to the exact location, and they’re there within minutes. Not to mention, Metallica probably appeals more to the demo Roo people want, older & wiser. Let’s face it, they’re not Seether or Breaking Benjamin, or, as we say, your kid brother’s band.

  4. Preston Brady Says:

    No, I wouldn’t because I couldn’t live in those burbs, but a Manhattan penthouse might bray my pony. Too bad Bonnarah couldn’t have a few bands like Meshuggah or Dream Theater or even Steve Vai or Mike Patton or Therion or Dimmu Borgir to name a few absent from the Tennessee roster, but I guess it’s just not that kind of venue . . and why is Led Zeppelin listed near the bottom of the lineup? Strange . .

  5. Stephen Centanni Says:

    Ah, Dimmu Borgir! I’ve had some interesting experience with those guys that will be a future blog. Sons of Odin, HA!

    BTW, it’s LEZ Zeppelin aka an all female Zeppelin tribute

    “Not to mention, Metallica probably appeals more to the demo Roo people want, older & wiser.”

    Always remember that the guy who killed Dimebag is in that demo.

  6. Preston Brady Says:

    Don’t tell me they’re more like Surfers of Laguna . . that would be a real image-buster . . .

  7. Stephen Centanni Says:

    “Don’t tell me they’re more like Surfers of Laguna . . that would be a real image-buster . . .”

    Be patient, let’s just say I had a new view of Norwegian Black Metal after the incident.

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